SHORT FILM:
https://drive.google.com/drive/folders/1Q0vfMcsRCteolq2vE042Dhxl4iND1VCT?usp=share_link
SOCIAL MEDIA:
https://www.instagram.com/outofhand.shortfilm/
"PRELUDE"
This project has been the most incredible learning experience for me. Although I've had several obstacles with time, although I haven't been able to dedicate much time to sleep and mental health and such, now that it's over I understand why I do this in the first place. There's something just so beyond special about creating, and finding new ways to tell stories, I finally get to experiment in this medium!
'Out Of Hand' is a comedy about a Tom, a relatively normal guy attempting to engage cordially while avoiding the infamous handshake from his co-workers.
Generational gaps are a common occurence in the office workspace at GERS. In fact, we had 3 different generations in one room the day of filming. In the film itself, this oftentimes affects the way the workers perceive each other and ultimately, how they interact with one another. This is mildly touched on throughout the film, however these dynamics are more so displayed throughout the social media. Many of the extras characters were highlighted for their nuanced qualities.
Hey hi!! So we finished filming, we took from 11am-4:00 pm but we were able to get all of the shots and I'm so happy we were able to finish it. It took a lot of time and energy to bring this project into fruition with all of the other things happening around me but I'm really happy that we've been able to bring this idea to life.
This whole week I also had tech rehearsals for a show I'm in, called SIX the musical. So I've been editing those videos intensely.
At the beginning of the year, our media teacher had us do a brand identity project, where we did some self discovery to see how we would market ourselves out in the real world. My group and I decided we would apply our knowledge from the previous project to do the social media branding for our short film Out of Hand.
So here's the rundown: we got some shots for the trailer as well as some interviews in order to get promoting our film on social media... (I know I set up a blog where I touched on this briefly, but I wanted to emphasize again what we're doing)
So the location that we set up previously was too far, and since we already were acquiring so much help from these actors, we didn't want to make them take even MORE time to get to the filming location. So we decided to keep the place close by, and the space we were able to get was amazing! We didn't get to Even though we are still working through shooting the show, we used the office space to do a read through of the script, and get a feel for the space. Since this was our first time being exposed to the space, we wanted to have a look and see if any of the lines or actions in the script needed to be adjusted; and now we can build our shot list confidently!
So this script took me a BIT to conquer... it's a huge task to write and also keep the integrity of the character's voices. Here I gave it a shot and I think I maintained the story structure and kept the characters with a specific motive.
OUT OF HAND
written by Martina Rodriguez
Scene 1:
INT. OFFICE BUILDING - LOBBY - DAY
The sound of door opening. TOM steps out, dressed sharply, walking with confidence. He approaches the front desk where ALICE, the receptionist, is on the phone.
RECEPTIONIST (Alice)
(on the phone)
Yes? We have an opening at 2 o’clock for a showing in the Lower East Side of Manhattan...
She notices TOM and smiles warmly.
RECEPTIONIST (Alice)
First day?
TOM
(smiling coolly)
Yes, such a pleasure to meet you, is it, Alice?
RECEPTIONIST (Alice)
Yes, indeed!
She extends her hand to shake, but TOM hesitates, looking down at it. He then decides to avoid it completely.
TOM
I just peed... And I’m not a handshaker after a good pee. You know, hygiene!
He says it confidently, without hesitation. ALICE pauses, trying to process what just happened. After a beat, she just nods, an awkward smile creeping on her face.
ALICE watches him as he walks away, her expression slowly shifting to one of slight confusion and concern.
VOICEOVER (TOM)
(in his head, with a mix of self-affirmation and confusion)
Nailed it.
Scene 2:
INT. OFFICE HALLWAY - DAY
TOM walks through the office, making his way to his desk. A co-worker, GREG, walks toward him. They bump into each other, a little more awkwardly than they should have.
GREG
Oh my apologies, really! Didn’t mean to startle you. (charismaticaly offers his hand) I'm Greg!
TOM
(voiceover)
Yeah, he seems nice, but you can never be too sure...
GREG extends his hand for a handshake. TOM, not wanting to repeat his earlier mistake, slaps GREG’s hand instead, offering a weird, exaggerated smirk.
TOM
(Pats on his back)
GREG looks at him, completely confused, unsure of what just happened. He pauses for a beat before awkwardly laughing.
GREG
(nervously)
Uh... okay... sure. I betcha you're still getting accommodated to the office... anything you need just let me know!
Scene 3:
INT. RECEPTION DESK - DAY
quick montage of shots revealing the two characters getting ready for a discussion.
ALICE and GREG stand by the front desk, discussing the strange incident.
GREG
(gasping in shock)
He did the exact same thing to me...
RECEPTIONIST (ALICE)
I just don't understand why he was so uncomfortable... we have to find a way to get him out of his shell. We NEED. a. plan.
GREG
(raising an eyebrow, grinning)
A plan? Or is this just your latest office crush at work, Alice? (teasing)
You’ve got a thing for every guy in this building, don’t you?
ALICE
(laughs nervously, trying to deflect)
Whaaaat? No... I- uh- (quickly)
GREG
(mock serious)
Oh, right, of course. It's all about Tom... this week. What happens next week? Are we swooning over Bob from accounting? (grinning mischievously)
ALICE
(flirtatiously trying to laugh at herself with him but quickly shifting to seriousness)
GREG (ad lib; oooh Tom, hold my hand, smooch smooch)
(bangs on the desk) beat. That's enough. You're Impossible Greg... (leans in, lowering her voice like she's about to spill gossip)
Be serious. We’ve had new people come in before, and they’ve always shaken hands and fit right in without any issues. But Tom? He’s the first one to refuse a handshake... unlike every other guy who’s ever walked through that door.
(pauses, realizing what she said, then suddenly snapping to a more defensive tone) NOT that I have a thing for every guy... (looks up at Greg) you KNOW what I mean.
GREG
(smirking, raising an eyebrow)
Oh, I know exactly what you mean, Alice.
ALICE
Focus, Greg! Here's what we need to do:
ALICE
Dialogue
Phase One: The “Super Secret Handshake” Setup. (she leans in, whispering conspiratorially)
We make it seem like handshakes are this big, exclusive thing. We gather the whole team, and we act like it’s some mystical office tradition. Like, it’s a rite of passage, you know? We’ll get all dramatic about it, like, “Oh, Tom, you’ve gotta shake hands to really be part of the family.” He won’t be able to resist!
GREG
(with a calculating smirk)
Yeah, because who wouldn’t want to be part of the family? Sounds like a trap. If he’s even a little paranoid, we’ve got him.
ALICE
(grinning, sounding like she’s gossiping with a friend)
Oh, totally.
ALICE
(giggling like she’s imagining it)
Oh, it’s perfect! He won’t be able to get out of it. EVERYONE is doing it...
“Oh, you don’t want to be the odd one out, Tom, do you?” (teasingly)
Trust me Greg, it’ll work.
GREG
Yeah yeah...
(raising an eyebrow, still calculating)
What if he rebels and refuses to be sucked into the whole “team handshake” thing?
ALICE
(leaning in closer, all gossip and playful energy)
Oh, I’ve thought of that, honey. That’s when we bring in Phase Two: The Casual Coffee/Pen Move. (she gestures dramatically, as if she’s revealing a top-secret plan)
So, we wait until we’re holding something like coffee, a pen, or—oh, I don’t know—a binder, something totally innocent. Then, when we walk by him, we “accidentally” lean in and offer our hand. Like it’s no big deal. Like we’re just casually handing him a coffee, no pressure at all. (focused on a point on the ground and visualizing it)
(Alice envisions that she's seducing him into shaking her hand and that he accepts)
He won’t be able to resist the subtle nudge to shake our hand.
CUT BACK TO REALITY.
(looks awkwardly back at Greg)
GREG
(laughing like he’s already won, eyes narrowing)
Nice. So we make it so casual, he feels like a jerk if he doesn’t shake our hands. He’ll be too embarrassed to not do it.
ALICE
(excited, smirking and nodding up and down, proud of herself)
He won’t even see it coming.
GREG
(leaning in, with a dark grin)
What if that doesn't work...
ALICE
(laughing, now totally immersed in her plan)
It’s foolproof. Greg... (leans in) tomorrow, it's ON.
INT. OFFICE BUILDING - LOBBY
Shot of the phone ringing at the office, Sherrie (Receptionist) picks it up.
ALICE
Hi, yes how may I help you? (nods to Greg)
GREG
(holding the coffee, nervously smiling)
Tom, I—uh, made you some coffee. Thought you could use it.
TOM
(smiling, appreciative)
Thanks, man! Appreciate it. Just put it on the counter for me, yeah?
GREG
(impulsive, grabbing Tom’s hand without thinking)
Sure, but hey, let's just—uh, let’s do the handshake thing! Everyone’s doing it around here, y'know?
TOM
(startled, pulling back a little)
Oh, uh, I don’t really— (Before Tom can finish, Greg doesn’t let go and, suddenly, there’s a loud click sound as a fake hand pops out of Tom’s socket, it just doesn’t quite belong.)
GREG AND ALICE SCREAM, CUT TO FILM TITLE "OUT OF HAND"
VISUALIZING THE TRANSITION
Before I dive deep into the script shifts, and working on building character, I want to make sure we get this shift of tone just right.
MEDIUM SHOT ALICE, who takes a quick beat, realizing they’re both wasting time on the absurdity. "Phase 3... bla bla bla" Her face shifts from excitement to a more focused, stern look. The dreamy background dissolves, and the office returns to normal. Her tone also sharpens as she says, “Okay, Tomorrow, we're ON.”I realized that although I may have found an idea for the short film that feels right to us, we cannot DROP THE BALL!!
I'm currently at state writing this blog and trying to figure out how I can rework the script I made previously and trying to understand what initially went wrong so I can better the storytelling.
Once again, I turn to research.
THE LOGLINE.
A one to two sentence summary of what the film is about.
Ex: The film highlights a young, millenial worker who is dressed up and ready for his first day at work. Every day at work he faces his sole fear of shaking the hands of his very own co-workers. Will he get over the fear?
THE TREATMENT
Intro to key characters. Film Synopsis.
What does he work in? Real Estate.
Dan Harmon's Story Circle (answered in previous blog)
THE OUTLINE.
Tom: Phobia is triggered by just direct physical contact with people gives him anxiety. Sensitive touch receptors that trigger strong emotions in him.
ACT 1
Scene: Walking into work from elevator, opening the door, establish the character as a confident, cool guy. He walks up to meet the receptionist at the front desk, who is making a call.
Receptionist: Yes? We have an opening at 2'o clock for a showing in the lower east side of Manhattan.
She notices Tom and gives him a smile
Receptionist: First day?
Tom: Yes, such a pleasure to meet you is it, Alice?
Receptionist: Yes, indeed!
She extends her hand. He looks down at it, and is reluctant and avoids the hand completely. Back and forth between receptionist and Tom, where he says
Tom: 'I just peed.' (he says it so confidently, that the receptionist is just like ah okay and then turn to her expression being weirded out). To avoid the handshake.
Shot of receptionist watching him sinister
Tom gets in his head about the situation and is very oddly confused, and stressed. (voiceover: nailed it.)
SCENE 2:
Walking over to his desk, a co-worker is walking in opposite direction and they bump into each other.
Greg: Oh my apologies, really, I did not mean to startle you, I'm Greg!
Tom: Yeah he seems nice but you can never be so sure...
hand extends in a frame,
(Instead of handshake maybe he slaps his hand and gives a cringe smirk like just)
Greg: Reaction like what is happening...
Tom: Low five! (instead of high-five)
SCENE 3:
So... what do you think of the new employee?
Receptionist: He seems... normal, but when I offered my hand I tell you the weirdest thing happened. He refused to shake my hand.
Greg: "shock" gasp sound. No... it can't be...
Receptionist:
Receptionist: We need a plan
CUT TO ACT 2.
Phase One The "Super Secret Handshake" Setup: We introduce the idea of handshakes in a way that makes it feel exclusive, like it’s a big deal. We’ll gather the team and act like there’s this mystical, office-wide tradition of "Super Secret Handshakes." We’ll make it sound like it’s some rite of passage, even though it’s just a normal handshake. This creates the illusion that handshakes are a must and something he’s missing out on.
GREG: what if that doesn't work...?
Phase Two The Casual Coffee/pen Move: If he’s still avoiding handshakes, it’s time for a more subtle approach. We wait for a moment when we’re holding something like a coffee cup, pen, or binder. Then, when we “accidentally” walk past him, we’ll lean in and offer our hand for the handshake—without even thinking about it, like it's the most natural thing in the world. He’ll feel the subtle pressure to reciprocate, especially when he realizes everyone else is doing it.
Phase Three The "Accidental" Handshake Escalation: If all else fails, we start getting sneakier. We’ll create situations where it's impossible to avoid shaking hands—like when handing him something across the desk or during a meeting. Slowly, we set him up to the point where the only thing left is to just shake our hand without a second thought.
(Him in his head, its societal)
don't make it about covid. Make it more about a guy who has this phobia,
his phobia is more about being afraid of the social interaction, make his weird behavior special to him.
He gets really in his head.
Physical piece, really be inspired by what they do.
Emphasize that this guy does not want to shake their hands at all and make it really weird.
He should be normal in every aspect and just have this weird phobia for just handshaking.
Tom- looks like a normal guy, but he has a weird knack for handshake.
Writing for film, be aware of physical motion. It's not a stagnant medium.
Countering that phobia with something thats not weird, and with him being an okay guy.
So we've been thinking about the way to publicize this film for a little bit... and we've had some trouble coming up with the logo and it has undergone quite a few changes since the beginning but we have a lot of hope in this design and we're still workshopping it to see how it can really evolve.
Above is how the design started. From where the design started to where it ended up going, I feel that we made a lot of progress and it was a huge evolution from the beginning to the end.
Now, the design is much more clean and polished, and the alignment keeps the copy of the writing balanced and professional while still communicating something intriguing about our film.
So I've been communicating with my group a lot more about the technical aspects of our production, and we've officially found a place to film and time! We're going to West Palm... because our partner Nadia has suggested this office that she knows of nearby that could work, so we're making arrangements to have the office space available on March 29th, and we'd be getting there early.
So I started working on this script on google docs and celtx... and I really wanted to capture Tom's discomfort through his expression and way of speaking to himself. A lot of this is just a rough draft that I know needs some polishing, but I just had to start getting my ideas out there and fleshing out this script so that we could lay a foundation.
INT. OFFICE LOBBY - MORNING
Tom walks into the office, greeted by the usual lackluster atmosphere. The beautiful lights buzz overhead as his coworkers sit at their desks, typing away quietly, no one engaging with one another. There’s a dead silence in the air, broken only by the occasional mouse click or the hum of the copy machine. It’s just another dull morning.
Tom approaches LISA at the entrance, who looks up from her screen and gives a weak, stiff smile. She extends her hand for a handshake.
He takes her hand and shakes it briefly, wiping his hand on his pants immediately after.
INT. OFFICE KITCHEN - LUNCHTIME
Tom heads to the kitchen to grab his lunch. He runs into STEVE, the overly friendly coworker who’s always a little too enthusiastic. Steve eagerly extends his hand for a handshake.
Tom grins to himself and dramatically starts wiping the air near Steve's shoulder as though he's cleaning invisible dust off him.
Steve freezes, looking at him with complete confusion. He slowly pulls his hand back, unsure whether he’s part of a joke or if Tom’s lost it. He shrugs and nods awkwardly.
INT. OFFICE HALLWAY - LATER
Tom walks down the hallway and bumps into GREG, the quiet guy who rarely talks. Greg raises his fist for a fist bump, but Tom freezes.
Tom gives an overly dramatic, awkward head tilt toward Greg, as if he's admiring a statue at a museum. Greg watches, unmoving.
Greg blinks, trying to figure out what just happened, then slowly tilts his head back at Tom, mimicking the action.
Greg stares at him, blinking. He then tilts his head back at Tom, mimicking the action.
GREG
(stoic)
Right... okay.
Tom nods to himself, feeling a weird sense of accomplishment as he walks off.
Tom enters the conference room where MR. JENKINS, his eccentric boss, stands by the door. Mr. Jenkins, as always, is extremely enthusiastic and immediately extends his hand for a handshake.
MR. JENKINS
(loudly)
Tom! My man! Good to see you!
TOM'S INTERNAL MONOLOGUE (V.O.)
(panicking)
Mr. Jenkins! I can’t shake his hand! What if I—what if I just do a pat on the back instead? That’s friendly, non-contact, non-germy! Yes, this will work!
Tom gives Mr. Jenkins a loud, firm pat on the back. The sound of it echoes through the room.
TOM
(grinning awkwardly)
A little pat on the back! Non-germy, like we discussed.
Mr. Jenkins pauses, a little confused. Then, he smiles widely, clearly thrilled with the unique greeting.
MR. JENKINS
(enthusiastically)
That’s the spirit, Tom! No more handshakes, just pat-on-the-back energy! You’re onto something, my friend!
Tom, slightly overwhelmed, smiles nervously, feeling the weirdness escalate.
TOM
(mumbling)
Yeah. New vibe, right?
Tom walks into the office the next morning. He’s surprised to see the office completely transformed. The once dull, stiff environment is now full of laughter, chaos, and absurdity. Coworkers are greeting each other with bizarre and hilarious gestures:
LISA is sniffing her own hand before offering it to someone like it’s a scented candle.
STEVE is pretending to brush invisible dirt off a coworker’s jacket.
GREG is tilting his head at people dramatically like he's in some kind of slow-motion dance.
Even MR. JENKINS is bumping into people with exaggerated, energetic shoulder nudges and slapping people’s backs loudly as if he's in a sports locker room.
Tom watches in disbelief, realizing the office has completely embraced the chaos he started. He’s part of it now.
TOM'S INTERNAL MONOLOGUE (V.O.)
(stunned)
Wait. Wait a minute... they’re... they’re all doing it?! I started this? This is… awesome? It’s weird, but it’s awesome...
Tom grins to himself and gives a coworker a strange, over-the-top head nod as a greeting. The coworker nods back and even adds an exaggerated wink.
Tom continues to walk through the office as everyone greets him with bizarre gestures, laughing and having fun. The once stale, quiet office is now full of joy and energy.
Suddenly, Mr. Jenkins appears behind him, slapping him on the back one more time, followed by an over-the-top thumbs-up.
MR. JENKINS
(shouting joyfully)
There he is! Tom, the innovator! You’ve changed the way we greet each other, my friend!
Tom, slightly overwhelmed but oddly proud, smiles. The camera pulls back, showing the entire office engaged in this bizarre, fun greeting revolution.
On Friday, we had our group meeting, and it was really helpful and productive in a lot of ways. We all got a chance to give each other equal feedback, which helped shape our ideas and improve our projects.
Throughout this process, I have been researching and learning more about short films and how to structure them in a way that is simple and understandable for the viewer in a way that stays true to my own creative ideas.
Zain initiated this project from the start, she thought of distributing jobs and such to each of us, so that we have a defined task that we can all work towards. She thought of appointing me as the director and writer of the film, while she was tasked with finding locations and places where we could film.
Now that we have our cast and crew, it's time to come up with a reliable film schedule that we can send over to our actors so they can have. I plan on having this solidified by next week so I can talk to my team and figure out what days we can all actually be present, as well as communicating with Zain to see if she has found any viable locations.
March 29th will probably be a tentative filming date, but this whole week of March 25-27 will be up for grabs, however this is all contingent on whether or not we can get the filming location for these dates.
Soooooo we have a cast, and a story to tell!
For the role of Tom and the boss I thought it would be favorable to cast adult actors, so I immediately thought of casting Lito Beccara, one of my good friends from Inside Out Theatre, as the role of Tom.
I envision Tom, as a character, being this sort of awkward, shy, quirky guy who works at the office, kind of inspired by some of the characters actors like Michael Cera have played in previous shows. Him deciding not to go in for a handshake at the start of the film when he gets all inside his head is our very first impression of him, and with Lito as Tom I absolutely believe this persona will shine through!
We understand that comedy's are hard to make, but the idea of breaking an unspoken rule in itself evokes a humorous aspect, at least in our interpretation.
If we go with the hand-shaking idea, we believe that would have to be marketed by showcasing an office environment, a dull, lackluster place in which co-workers hardly interact except for the daily greeting: a handshake.
We can start by showcasing our character, Tom, and his awkwardness and reluctance to handshakes themselves. We can put quotes next to the character poster, to get people kind of introduced to this conformist office, and then there's Tom.
For further inspiration, we want to really "branch out" hehe, and find other student films in the past that have worked with the marketing aspect of their film, and we found a page that does a really great job at conveying the mood, and tone of their film, without overtly giving so much of the plot away.
HELLO THERE BLOG!
I am so excited to share what I've learned about marketing and apply it to this project by creating a social media platform that would showcase all of our work behind-the-scenes, as well as branding aspects of the film.
At the beginning of the year, we started a branding project where we primarily focused on branding ourselves, and what that would look like in terms of our relationships, our culture, our purpose, etc.
So while marketing a short film is something completely new to me, the concept of marketing is something I have loved to explore throughout my time at places like Inside Out Theatre Company, a non-profit organization that I'm grateful to have been a part of from a young age.
As I got older, and started experimenting with editing, graphics, visual effects, and motion graphics, marketing quickly became a huge passion of mine when paired with these skills.
Overall some little titles that came into mind that might be able to conjure up some new ideas, but right now, this is what I have! (These are just some loosely strewn ideas).
Dressed in Gold
Title Names: The Second Skin
The Lady In Blue
SHORT FILM: https://drive.google.com/drive/folders/1Q0vfMcsRCteolq2vE042Dhxl4iND1VCT?usp=share_link SOCIAL MEDIA: https://www.instagram....